Opening Reception of Social Housing: Vienna—Los Angeles
Oct
22

Opening Reception of Social Housing: Vienna—Los Angeles

 
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Zara Pfeifer, Du, meine konkrete Utopie, 2013–2017.

The MAK Center for Art and Architecture invites you to the opening reception of Social Housing: Vienna—Los Angeles. The exhibition brings together case studies from both cities to examine the relationship between architecture, housing policy, and civic responsibility.

Social Housing: Vienna—Los Angeles unfolds at the Schindler House, designed in 1922 by Austrian émigré architect R.M. Schindler as an experiment in cooperative living. Its construction coincided with the emergence of Red Vienna, when the city began developing the municipally supported housing system that would transform Vienna over the following century. These parallel experiments in collective life provide a historical frame for considering the sharply different trajectories the two cities have followed: Vienna’s sustained public investment in housing alongside the largely market-driven conditions that have shaped Los Angeles.

Rather than proposing Vienna as a model to be directly replicated, Social Housing: Vienna—Los Angeles asks what these distinct histories can reveal about the possibilities for housing today, and how architecture, public institutions, and collective action might contribute to new forms of affordable and shared urban life.

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Related Exhibition

Social Housing: Vienna—Los Angeles

October 22, 2026 – January 17, 2027

 
 
 

The Social Housing: Vienna—Los Angeles exhibition was made possible with support from the Austrian Consulate General Los Angeles, the Federal Ministry for European and International Affairs, Republic of Austria, the MAK – Museum of Applied Arts, Vienna, and the City of West Hollywood.

 
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The Social Housing: Vienna—Los Angeles publication was produced with support from WBV-GPA, a Vienna-based, limited-profit housing developer; the City of Vienna, Housing Promotion and Arbitration, Board for Legal Housing Matters;  the Federal Ministry for Housing, Arts, Culture, Media and Sport, Republic of Austria; and the Research Unit of Housing and Design / Institute for Architecture and Design / TU Wien – University of Technology in Vienna, Austria.

 
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GLOW UP BENEFIT & AUCTION
Sep
26

GLOW UP BENEFIT & AUCTION

GLOW UP marks the first spark in the revitalization of the MAK Center’s Fitzpatrick-Leland House (R.M. Schindler, 1936). Over two evenings, these MAK Center Benefit events celebrate the first phase of a brighter vision for the Fitzpatrick-Leland House as a site for research, cultural exchange, culinary programs, and public engagement.

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GLOW UP BENEFIT & AUCTION
Sep
25

GLOW UP BENEFIT & AUCTION

GLOW UP marks the first spark in the revitalization of the MAK Center’s Fitzpatrick-Leland House (R.M. Schindler, 1936). Over two evenings, these MAK Center Benefit events celebrate the first phase of a brighter vision for the Fitzpatrick-Leland House as a site for research, cultural exchange, culinary programs, and public engagement.

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Copy Right
Aug
27

Copy Right

The MAK Center for Art and Architecture is pleased to present a conversation with Daniel McClean and Brian Butler in conjunction with the exhibition SUPERFLEX: Rainbows, Sponges, Flies, and Spoons.

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Opening Reception of SUPERFLEX: Rainbows, Sponges, Flies, and Spoons
Jun
12

Opening Reception of SUPERFLEX: Rainbows, Sponges, Flies, and Spoons

 

The MAK Center for Art and Architecture invites you to the opening reception of Rainbows, Sponges, Flies, and Spoons, an exhibition by the Danish artist collective SUPERFLEX. The exhibition brings together a focused presentation of works spanning more than three decades of the collective’s practice at the MAK Center at the Schindler House.

Designed by Austrian-American architect R.M. Schindler in 1922 as a multi-family dwelling, an experiment in communal living, the Schindler House was designed to accommodate collective daily life as well as personalized areas for individual activity. Playing off this history, Rainbows, Sponges, Flies, and Spoons presents four works, each occupying its own space, completely separate yet strangely connected. The Spoons (1994), an early photographic lightbox depicting a circular arrangement of spoons; Hunga Tonga Rainbow (2016), presenting two photographs in which a rainbow is mirrored, creating a sense of artificial symmetry, a false whole; Proposal for the World’s Second-Tallest Building, a sculptural installation composed of ceramic sponge as a proposal for a new form of architecture; and Two Flies Staring at Each Other (on a Glass of Water) (2025), a meticulously fabricated sculptural vignette arranged in a perfect formation that would be nearly impossible to find in nature. Through subtle manipulations of familiar objects and images, the works produce moments of humor and estrangement while exploring questions of infrastructure, ecological interdependence, and collective perception. 

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Related Exhibition

SUPERFLEX: Rainbows, Sponges, Flies, and Spoons

June 12, 2026 – September 13, 2026

 
 
 

SUPERFLEX: Rainbows, Sponges, Flies, and Spoons is presented by the MAK Center for Art and Architecture in partnership with 1301PE.
Support for the exhibition generously provided by David Johnson and a grant from the Danish Arts Foundation.
Special thanks to Brian Butler from 1301PE, Kukje Gallery, and von Bartha.
Generous in-kind support provided by UniFor.

 
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The Emperor Incognito Book Talk
Jun
3

The Emperor Incognito Book Talk

The Austrian Consulate General, the MAK Center for Art and Architecture, and Villa Aurora are pleased to present a book talk with Monika Czernin, highly acclaimed author of The Emperor Incognito: Joseph II’s Journey Through Enlightenment, in conversation with Claudia Gordon, director of the Villa Aurora

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ECHOLOGY: PERSPECTIVES IN ECO-LOGIC
Jan
8

ECHOLOGY: PERSPECTIVES IN ECO-LOGIC

The MAK Center invites you to an evening with three leading voices in the field of ecological art and activism: Lauren Bon, Aroussiak Gabrielian, and Debra Scacco. Join us for artist presentations and a conversation moderated by Jamison Edgar exploring the evolving relationships between humans, nature, technology, and infrastructure, placing their work in conversation with the ideas at the heart of the MAK Center’s current exhibition, Agnes Denes: The Future is Fragile.

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Sunflower Seed Processing Workshop
Dec
7

Sunflower Seed Processing Workshop

Drawing on artist Agnes Denes’s environmental art about our role in ecological stewardship, Altadena Seed Library and the MAK Center for Art and Architecture invite you to a seed processing workshop at the Schindler House. Join Nina Raj, founder of the Altadena Seed Library, with sorting and cleaning locally collected seeds in a meditative workshop. Tea from native plants will be served.

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Richard Neutra and the Making of the Lovell Health House, 1925‐35
Oct
30

Richard Neutra and the Making of the Lovell Health House, 1925‐35

The MAK Center for Art and Architecture, Neutra Institute for Survival Through Design, and the Getty Research Institute are pleased to invite you to a panel discussion and reception in celebration of the centennial of Richard Neutra’s arrival in Los Angeles and the release of the book Richard Neutra and the Making of the Lovell Health House, 1925‐35.

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MAK Artists- and Architects-in-Residence 30th Anniversary Block Party
Oct
19

MAK Artists- and Architects-in-Residence 30th Anniversary Block Party

 

The 30th Anniversary Block Party celebrates three decades of the MAK Artists- and Architects-in-Residence program at the Mackey Apartments, which has served as a haven for international artists and architects to research, produce, and become immersed in the culture of Los Angeles.

The MAK Artists- and Architects-in-Residence Program was inaugurated in October 1995 with the arrival of its first cohort of artists and architects. Initiated earlier that year, an international jury has since convened annually in Vienna to select up to eight residency projects as well as two alternates per group. To date, the MAK Center has hosted more than fifty groups of international residents. This unique program is funded by the Federal Ministry for Arts, Culture, the Civil Service and Sport, in cooperation with the MAK — Museum of Applied Arts, Vienna.

The Block Party will mark the launch of the MAK Center’s new Alumni Archive Module, bring together Los Angeles-based Residency Alumni, and features the opening of the 26th iteration of Garage Exchange, showcasing Vienna-based artist and Mackey Residency alumnus Christoph Meier alongside Los Angeles-based artist Chadwick Rantanen. Guests are also invited to tour the Mackey Apartments and connect with friends, alumni, and MAK Center supporters over food, drinks, and conversation. Together, these elements create a multifaceted celebration of the MAK Artists- and Architects-in-Residence Program’s thirty-year legacy of creative exchange.

3:00 PM Residency Alumni Panel with Simona Ferrari, Julia Koerner, Christoph Meier, and Luis Ortega Govela, moderated by Anthony Carfello

4:00 PM Walkthrough of Garage Exchange with Christoph Meier and Chadwick Rantanen

Reception and Block Party to Follow

RSVP here

Panelists

ANTHONY CARFELLO

Anthony Carfello is a curator, editor, and educator.

He is the Museum Manager/Curator of the Venice Heritage Museum, an initiative to preserve the stories of L.A.'s changing beachside community. From 2020 to 2022, Carfello served as Deputy Director of the Wende Museum in Culver City. For the decade prior (2009–19), he was Deputy Director of the MAK Center for Art and Architecture at the Schindler House. Since 2017 he has taught as an adjunct assistant professor for Temple University’s L.A. study program, and from 2022 to 2024 he taught the art history of L.A. for Elon University (NC). Currently, he is a Visiting Assistant Professor of Museum Studies at the University of Iowa.

He has received support from the Andy Warhol Foundation Arts Writers Grant for the online journal Georgia (with Shoghig Halajian and Suzy Halajian) and the Graham Foundation for Advanced Studies in the Fine Arts.

SIMONA FERRARI

Simona Ferrari is an architect working across different scales and formats. Practicing both independently and collaboratively, her work addresses architecture and the built environment through building, photography, drawing, and writing. Simona studied architecture at the Politecnico di Milano and the Technical University of Vienna, and received her Master’s degree from the Tokyo Institute of Technology. She completed a Master of Fine Arts at the Zurich University of the Arts. Alongside her practice, between 2017-2023, Simona taught and conducted research at the Department of Architecture at ETH Zurich and was assistant curator of the Japan Pavilion at the 16th Venice Architecture Biennale (2018). Previously, she worked with Atelier Bow-Wow in Tokyo, completing several international projects, including the Search Library in Muharraq, Bahrain, exhibition designs and installations at the Cultural Center of Chicago, Harvard GSD, the National Museum of Modern Art in Tokyo, the MAXXI Museum in Rome, and the Triennale di Milano. Recent works include “Landscape In-Between,” a project for the former industrial site of Acetati in Verbania, Italy, awarded in the 15th edition of the Europan architectural competition and subsequently developed as an urban plan commissioned by the municipality, involving the local community. Simona was an architect-in-residence at the MAK Center for Art and Architecture in Los Angeles and at the Charles Moore Foundation in Santa Monica.

JULIA KOERNER

Julia Koerner is an award-winning Austrian designer working at the convergence of architecture, product and fashion design, specialized in 3D-printing. She is the founder of JK Design GmbH /JK3D and a professor at UCLA. Her recent collaborations include 3D-Printed Haute Couture and costumes for Marvel’s Hollywood blockbuster ‘Black Panther’ earning two Academy Awards. Furthermore, she has developed research on innovative uses of 3D printing with Swarovski, Stratasys, and Materialise. She is internationally recognized for design innovation in 3D printing and recently was awarded for her architectural design for ICON's 3d-printed affordable housing Initiative 99. JK3D is a next generation brand that focuses on 3D-printed fashion and décor products. The brand features iconic nature-inspired designs, with intricate and complex designs that can only be made through innovative 3D printing technology, utilizing sustainable plant-based materials. JK3D is a woman-owned business with design ateliers and urban manufacturing facilities in Vienna and Los Angeles. Since 2024 she serves on the Creative Industries Council of the Federal Ministry of Labour and Economy of Austria as part of the "Innovation Program for the Creative Industries 2030.

CHRISTOPH MEIER

Christoph Meier (b. 1980, Vienna) studied architecture at the Vienna University of Technology and sculpture at the Academy of Fine Arts Vienna and Glasgow School of Art. His internationally exhibited, installation-based work often engages with architectural and social spaces. Meier has participated in numerous exhibitions, including at the Museum of Applied Arts Vienna, Wiener Festwochen, Portland Institute of Art, Etablissement d’en face Brussels, and the Nam June Paik Art Center Seoul. He has presented solo exhibitions at venues such as Casino Luxembourg, Kiosk Gent, Kunstverein Hamburg, Kunsthaus Graz, and the Vienna Secession. Since 2009, Meier has co-published the artist fanzine BLACK PAGES with Ute Müller and Nick Oberthaler and, in 2016, co-founded the independent exhibition space Guimarães in Vienna. From 2019 to 2020, he was professor at the Institute of Art and Design at the Vienna University of Technology, where he now works as a senior artist at the Research Unit for Three-Dimensional Design and Model Making. Recently Meier has realized Gills Bells, a large-scale carillon as a public artwork in Gilsdorf, Luxembourg.

LUIS ORTEGA GOVELA

Luis Ortega Govela (1988) is a Mexican architect, writer and filmmaker based in Los Angeles. He graduated from the Architectural Association School of Architecture London. He is the founder of Office LOG, a research-based design studio working across architecture, design and art. . He is theco-founder of ÅYR, an art collective which explores the complex evolution of the home and domesticity. The collective has exhibited internationally, including at theBritish Pavilion for the Venice Architecture Biennale and at the 9th Berlin Biennale of Contemporary Art.

He is the author of GARAGE a book on the architecture and image of the garage published by MIT Press which has now been translated into Russian by Strelka. The book was also adapted into a documentary and was part of the CPH:DOX festival official selection. He was a recipient of the MAK Center for Art and Architecture Residency in 2017. He has lectured at the Architectural Association London, TU Delft, Garage Museum Moscow and The Royal College of Art. He is currently working on his third book. 

Garage Exchange Artists

CHRISTOPH MEIER

Christoph Meier (b. 1980, Vienna) studied architecture at the Vienna University of Technology and sculpture at the Academy of Fine Arts Vienna and Glasgow School of Art. His internationally exhibited, installation-based work often engages with architectural and social spaces. Meier has participated in numerous exhibitions, including at the Museum of Applied Arts Vienna, Wiener Festwochen, Portland Institute of Art, Etablissement d’en face Brussels, and the Nam June Paik Art Center Seoul. He has presented solo exhibitions at venues such as Casino Luxembourg, Kiosk Gent, Kunstverein Hamburg, Kunsthaus Graz, and the Vienna Secession. Since 2009, Meier has co-published the artist fanzine BLACK PAGES with Ute Müller and Nick Oberthaler and, in 2016, co-founded the independent exhibition space Guimarães in Vienna. From 2019 to 2020, he was professor at the Institute of Art and Design at the Vienna University of Technology, where he now works as a senior artist at the Research Unit for Three-Dimensional Design and Model Making. Recently Meier has realized Gills Bells, a large-scale carillon as a public artwork in Gilsdorf, Luxembourg.

CHADWICK RANTANEN

Chadwick Rantanen (b. 1981, Wausau, WI) appropriates the forms of familiar consumer goods and modifies and re-contextualizes them into sculptural tools. Adapting and conforming to architecture and infrastructure, Rantanen’s sculptures mimic installations or site-specific works, often taking the form of an adaptor, wedging between objects and their sources of power, articulating a web of accommodation, compromise, maintenance and parasitism by slightly detouring energy, but never causing harm. His solo exhibitions include Secession, Vienna, Austria; Museo Pietro Canonica, Rome, Italy; Standard (Oslo), Oslo, Norway; Essex Street, New York, New York; Overduin and Co., Los Angeles, California; Shane Campbell Gallery, Chicago, Illinois, Bel Ami, Los Angeles, California; CAPITAL, San Francisco, California. 

 
 

 

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October 19, 2025
4:00—6:00 PM

 
 
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Opening Reception for Agnes Denes: The Future is Fragile
Oct
18

Opening Reception for Agnes Denes: The Future is Fragile

 

The MAK Center for Art and Architecture is pleased to present Agnes Denes: The Future is Fragile, an exhibition bringing together key works by Agnes Denes that challenge our relationship to land, resources, and ecological stewardship. Known for her pioneering conceptual and environmental art, Denes has long questioned the impact of industrialization and privatization on the natural world, urging us to reimagine land as a shared resource.

RSVP for the opening reception here.

 
 

Graphic design support generously provided by Handbuilt
Additional support provided by UAP
Special thanks to Leslie Tonkonow Artworks + Projects

 
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Above Image: The Future is Fragile, Handle With Care (Pyramid) 2021
Copyright Agnes Denes, Courtesy Culturunners and Leslie Tonkonow Artworks + Projects

 
 

AGNES DENES: THE FUTURE IS FRAGILE

October 18, 2025 — January 18, 2026

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Opening Reception for Final Projects: Group LVII - Chambers
Sep
4

Opening Reception for Final Projects: Group LVII - Chambers

 

Join us for the opening reception of Final Projects: Group LVII - Chambers, exhibiting three bodies of work produced by our Artists and Architects-in-Residence: Ella Eßlinger, Paulina Nolte, and Valentina Triet. Final Projects: Group LVII - Chambers marks the culmination of the 57th iteration of the Artists and Architects-in-Residence Program at the Mackey Apartments.

This event is free and open to the public. Please RSVP here.

 

Final Projects: Group LVII - Chambers

September 5 — September 7, 2025

Related Exhibition

 
 
 

 

The Artists & Architects-in-Residence Program at the Mackey Apartments is funded by the Federal Ministry for Arts, Culture, the Civil Service and Sport, in cooperation with the MAK — Museum of Applied Arts, Vienna.

Image courtesy of Ella Eßlinger, Paulina Nolte, and Valentina Triet.

 
 
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